Ragtime
Show Information
The Ruth and Nathan Hale Theater
PROUDLY PRESENTS
BOOK BY
Terrance McNally
MUSIC BY
Stephen Flaherty
LYRICS BY
Lynn Ahrens
BASED ON THE NOVEL "RAGTIME" BY
E. L. Doctorow
Ragtime is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI.
www.MTIshows.com
At today's performance, the role of:
Tateh will be played by Dustin Bolt
Father will be played by David Morley-Walker
Evelyn Nesbit will be played by Amanda Baugh
Grandfather will be played by Michael Smith
Stanford White / Ensemble will be played by Collin Larsen
Cast List
COALHOUSE WALKER JR.
Yahosh Bonner (Mon, Wed, Sat)
Kiirt Banks (Tue, Thu, Fri)
Mother
Amy Shreeve Keeler (Mon, Wed, Fri)
Brittany Sanders (Tue, Thu, Sat)
Tateh
TAYLOR MORRIS (Mon, Wed, Fri)
DUSTIN BOLT (Tue, Thu, Sat)
Sarah
BRITTANY ANDAM (Mon, Wed, Sat)
ARIA LOVE JACKSON (Tue, Thu, Sat)
Father
CHRISTOPHER HIGBEE (Mon, Wed, Fri)
DAVID MORLEY-WALKER (Tue, Thu, Sat)
Mother's Younger Brother
ISAAC MOSS (Mon, Wed, Fri)
KELTON DAVIS (Tue, Thu, Sat)
Emma Goldman
MARCIE JACOBSEN (Mon, Wed, Fri)
DIANNA GRAHAM (Tue, Thu, Sat)
Evelyn Nesbit
MORGAN FENNER (Mon, Wed, Fri)
AMANDA BAUGH (Tue, Thu, Sat)
Harry Houdini
CLAYTON BARNEY (Mon, Wed, Fri)
BLAKE BARLOW (Tue, Thu, Sat)
Booker T. Washington
CHAD BROWN (Mon, Wed, Fri)
KRISPIN BANKS SR. (Tue, Thu, Sat)
Grandfather
JEFF THOMPSON (Mon, Wed, Fri)
MICHAEL SMITH (Tue, Thu, Sat)
The Little Boy
PORTER SPARKS MCCORMICK (Mon, Wed, Fri)
AARON SALAZAR (Tue, Thu, Sat)
The Little Girl
HAILEY BURNHAM (Mon, Wed, Fri)
TESSA JENSEN (Tue, Thu, Sat)
Henry Ford
TREVOR B. DEAN (Mon, Wed, Fri)
SCOTT ROLLINS (Tue, Thu, Sat)
J.P. Morgan / Admiral Peary
BRADLEY MOSS (Mon, Wed, Fri)
DOUG IREY (Tue, Thu, Sat)
Sarah's Friend
JENNY ROCK (Mon, Wed, Fri)
SIBLEY SNOWDEN (Tue, Thu, Sat)
Willie Conklin
CARSON DAVIES (Mon, Wed, Fri)
PATRICK KINTZ (Tue, Thu, Sat)
Brigit / Ensemble
BRANDALEE BLUTH STREETER (Mon, Wed, Fri)
BRONWYN ANDREOLI (Tue, Thu, Sat)
Houdini's Mother / Ensemble
SHAWNDA MOSS (Mon, Wed, Fri)
MARY JANE SMITH (Tue, Thu, Sat)
Kathleen / Ensemble
LAUREL ASAY LOWE (Mon, Wed, Fri)
TATEM TROTTER (Tue, Thu, Sat)
Female Ensemble
BROOKE HOLLADAY (Mon, Wed, Fri)
AMELIA ROSE MOORE (Tue, Thu, Sat)
ILEAH WASHINGTON (Mon, Wed, Fri)
BLYTHE SNOWDEN (Tue, Thu, Sat)
MELANIE FERNELIUS (Mon, Wed, Fri)
JOSEPHINE BAILEY (Tue, Thu, Sat)
ROSEMAY JOLICOEUR-WEBSTER (Mon, Wed, Fri)
MAK MILORD (Tue, Thu, Sat)
Charles S. Whitman / Ensemble
ANDREW REESER (Mon, Wed, Fri)
KEITH GOODRICH (Tue, Thu, Sat)
Harry K. Thaw / Ensemble
ZACK ELZEY (Mon, Wed, Sat)
JOSH VALDEZ (Tue, Thu, Fri)
Matthew Henson / Ensemble
ADAM GIRUM FRASIER (Mon, Wed, Fri)
OBA BONNER (Tue, Thu, Sat)
Stanford White / Ensemble
NATE BROGAN (Mon, Wed, Fri)
COLLIN LARSEN (Tue, Thu, Sat)
Male Ensemble
NOAH BURKET (Mon, Wed, Fri)
NICHOLAS WARREN (Tue, Thu, Sat)
PHILIP CHILDS (Mon, Wed, Fri)
ASHER HEAD (Tue, Thu, Sat)
TREMAINE LOMAX (Mon, Wed, Fri)
KILE ALLEN (Tue, Thu, Sat)
Coalhouse Walker III
ALEXANDER ANDAM (Mon, Sat)
IRIS FERNELIUS (Wed, Fri)
ADANNA UGOH (Tue, Thu)
Production Team
Jennifer Hill Barlow
MUSIC DIRECTION BYAnne Puzey
CHOREOGRAPHY BYJoshua Whitehead
SET DESIGN BYJo Winiarski
COSTUME DESIGN BYDennis Wright
LIGHTING DESIGN BYRyan Fallis
HAIR & MAKEUP BYBekah Wilbur
PROP DESIGN BYMegan Heaps
SOUND DESIGN BYCole McClure & Dan Morgan
STAGE MANAGEMENT BYJordan Liau
DEI CONSULTANTING BYConlon Bonner
DIALECT COACHING BYDianna Graham
FIGHT DIRECTION BYBen Henderson
Artistic Direction byAnne Swenson
Associate Artistic Direction byJennifer Hill Barlow
Resident Director & ChoreographerJennifer Hill Barlow
Production ManagerMeagan M. Downey
Technical DirectorJason Baldwin
Costume Shop ManagerDvorah Governale
Show Operations ManagerRichie Trimble
Head of SoundCole McClure
Head of Lighting & MediaMichael Gray
Head of Automation & RiggingScott Freeland
Master ElectricianRyan Fallis
Head DraperJessica Barksdale
Assistant Draper/CutterDanielle Dulchinos
First HandMaria Solesbee
Costume Shop StaffLauri Baird, Monica McNeill, and Erin Smith
Additional StitchingSarah Baldwin, Sarah Boden, Amy Handy, Keri Johnson, and Tannis Poynter
Assistant Costume Shop ManagerAlyssa Baumgarten
Craft Shop ManagerOlivia Kline
Crafts & Costume ConstructionMegan Conde, Brooklyn Corner, Rowan Forsyth, Kaely Hope, McKayla Howlett, Sara McCorristin, and Brienna Michaelis
Resident Assistant Costume DesignersChrista Didier, and Lexi Goldsberry
Archive ManagersMerrium Black, and Ryver Mecham
Hair & Makeup SupervisorMelinda Wilks
Hair & Makeup AssistantEmilie Ronhaar, Mattie Victor, and Bekah Wilbur
Additional Hair & MakeupLaura Bikman, and Krista Sommer
Wardrobe SupervisorDanielle Tanner
Head Dressers
Carli Bringhurst, and Elizabeth Moss
Wardrobe CrewAngela Beaty, Carlie McCleary, Zach Raddatz, Alexis Sanders, Alyssa Steck, Annika Stenquist, Brooklyn Swallow, Kate Watkins, and Seneca White
Assistant Technical DirectorPaul Hintz
Master CarpenterDavid Knowles
CarpentersLincoln Oliphant and Ian Scott
Purchasing Coordinator / Props ArtisanElisabeth Goulding
Prop SupervisorMegan Heaps
Prop ArtisanAllen Lafferty
Automation OperatorRyder Spotts
Deck CrewQuinn Bennett, Mitch Brown, Sarah Dalley, and Kate Hale
Audio Engineer (A1)Rachel Carr and Andy Keele
Sound AssistantDevon Parikh
Scenic Charge ArtistMorgan Dawn Golightly
Stage ManagersJordan Liau, Tannah O’Banion, Ashtyn Waters, and Courtney Byrom
Assistant Stage ManagersDavid Knowles and Kati Torrie
Scenes and Musical Numbers
Act One
Prologue
Ragtime
Performed by the Company
Scene 1
Dock in New York Harbor/At Sea
Goodbye My Love
Performed by Mother
Journey On
Performed by Father, Tateh, and Mother
Scene 2
A vaudeville theater, New York City
The Crime of the Century
Performed by Evelyn Nesbit, Mother’s Younger Brother, and Ensemble
Scene 3
Mother’s garden, New Rochelle
What Kind of Woman
Performed by Mother
Scene 4
Ellis Island/Lower East Side
A Shtetl Iz Amereke
Tateh, The Little Girl, Ensemble
Success
Tateh, J.P. Morgan, Harry Houdini, Ensemble
Scene 5
The Tempo Club/Harlem/Ford’s assembly line
Gettin’ Ready Rag
Coalhouse Walker Jr., Ensemble
Henry Ford
Henry Ford, Coalhouse Walker Jr., Ensemble
Scene 6
Railroad station, New Rochelle
Nothing Like the City
Tateh, Mother, The Little Boy, The Little Girl
Scene 7
Emerald Isle Firehouse
Scene 8
Mother’s house, New Rochelle
Your Daddy’s Son
Sarah
New Music
Father, Mother, Mother’s Younger Brother, Coalhouse Walker Jr., Sarah, Ensemble
Scene 9
A hillside above New Rochelle
Wheels of a Dream
Coalhouse Walker Jr., Sarah
Scene 10
A union hall in New York City/Lawrence, Massachusetts/A train
The Night That Goldman Spoke at Union Square
Mother’s Younger Brother, Emma Goldman, Ensemble
Gliding
Tateh
Scene 11
New Rochelle and New York City
Justice
Coalhouse Walker Jr., Ensemble
President
Sarah
Till We Reach That Day
Sarah’s Friend, Coalhouse Walker Jr., Emma Goldman, Mother’s Younger Brother, Mother, Tateh, Ensemble
Intermission
Act Two
Entr’acte
Scene 1
The streets of New Rochelle/Mother’s house
Coalhouse’s Soliloquy
Coalhouse Walker Jr.
Coalhouse Demands
The Company
Scene 2
The Polo Grounds
What a Game
Father, The Little Boy, Ensemble
Scene 3
Mother’s house
Atlantic City
Evelyn Nesbit, Harry Houdini
New Music (Reprise)
Father
Scene 4
Atlantic City/Million Dollar Pier/Boardwalk
Atlantic City Part II
Evelyn Nesbit, Harry Houdini, Ensemble
Buffalo Nickel Photoplay Inc.
Tateh
Our Children
Mother, Tateh
Scene 5
Harlem/Coalhouse’s hideout
Sarah Brown Eyes
Coalhouse Walker Jr., Sarah
He Wanted To Say
Emma Goldman, Mother’s Younger Brother, Coalhouse Walker Jr., Coalhouse’s Gang
Scene 6
The beach, Atlantic City
Back to Before
Mother
Scene 7
The Morgan Library, New York City
Look What You’ve Done
Booker T. Washington, Coalhouse Walker Jr., Ensemble
Make Them Hear You
Coalhouse Walker Jr.
Epilogue
Ragtime/Wheels of a Dream (Reprise)
The Company
Director's Note
Welcome to Ragtime
...and to the inaugural production at The Ruth at dōTERRA - a place built to inspire, connect, and celebrate the transformative power of storytelling.
The opening of this beautiful new theater represents a bold step forward, much like the characters in the story we bring to life this evening. Just as The Ruth embodies hope, innovation, and community, so too does Ragtime, a story that invites us to reflect on where we’ve been and dream about where we’re headed.
From the moment the first chords of this musical echo through the theater, we are drawn into a world brimming with hope, conflict, and change. This story, set at the dawn of the 20th century, feels like a mirror reflecting the struggles and triumphs of our own time. It is a story about dreams — how they unite us, how they divide us, and how they shape the world we create together.
The music is the soul of this show. Stephen Flaherty’s score and Lyn Ahrens’ lyrics are nothing short of genius, creating a soundscape that captures the heartbeat of America at a crossroads. The syncopated rhythms of ragtime symbolize the push for progress, the spirituals carry weight and resilience, and the sweeping melodies give voice to the unshakable dreams.
We made deliberate choices to ensure the music feels as alive as the characters themselves. For example “The Wheels of a Dream,” where Coalhouse and Sarah imagine a future for their child that feels impossibly bright. It’s not just a song — it’s a prayer, a promise, a challenge. And when Coalhouse later sings “Make Them Hear You,” the music transforms into a call to action, a declaration of the power of one voice to ignite change.
The ensemble numbers, like “Ragtime” and “Till We Reach That Day,” are more than moments of spectacle—they are moments of reckoning. Every harmony, every dissonance, is intentional, reflecting the complexity of a society struggling to define itself.
We focused deeply on the emotional journeys of these characters. Coalhouse’s transformation from hope to despair and defiance is both heartbreaking and galvanizing. Sarah’s quiet strength speaks volumes about the resilience of love. Mother’s awakening to a world far bigger than the one she’s known shows us the power of compassion and courage. Tateh’s relentless hope reminds us of the extraordinary courage it takes to dream.
But this production isn’t just about telling their stories. It’s about challenging us—here, now—to consider our own. What do we do when faced with injustice? How do we respond to those whose lives and experiences differ from our own? What choices will we make to build a better world?
The music of Ragtime gives us an answer. It tells us that we cannot stay silent. That we must listen to one another, even when it’s difficult. That change is possible, but only if we take action.
So, tonight, I ask you to truly hear this story—not just with your ears, but with your heart. Let it inspire you to look more deeply at the world around you. Speak out when you see injustice. Extend compassion to those in need. Choose hope when despair feels easier. And, most importantly, take action—big or small—toward creating the world that Coalhouse, Sarah, Tateh, and Mother dream of.
The final notes of Ragtime are not an ending—they are a beginning. They are a call, asking us to stand together, to fight for what is right, and to ensure that the wheels of a dream never stop turning.
Make them hear you.
Interesting Facts
The Real Lives of Ragtime
Ragtime takes place between the years of 1902 and 1912 in “The Progressive Era,” mixing the historical and fictional in a look at the birth of modern America and the lives that shaped it.
The Progressive movement was a political and social-reform movement that brought major changes to the United States during the late 19th and early 20th centuries. […] Progressives saw elements of American society that they wished to reform, especially ending the extreme concentration of wealth among the elite and the enormous economic and political power of big business. The U.S. population nearly doubled between 1870 and 1900. Increasing immigration and urbanization had helped the shift from small-scale manufacturing and commerce to large-scale factory production and enormous national corporations. The leaders of the Progressive Era worked on a range of overlapping issues that characterized the time, including labor rights, women’s suffrage, economic reform, environmental protections, and the welfare of the poor, including poor immigrants.
Encyclopedia Britannica, The Progressive Era Key Facts
J.P. Morgan was perhaps the key financial figure in America during the Progressive Era, particularly between 1902 and 1912. Born in 1837 in Connecticut, he became known as America’s “greatest banker.” His firm, J.P. Morgan & Company, dominated the banking sector and played a critical role in consolidating various industries.
During the Financial Panic of 1907 (also known as the Bankers' Panic or the Knickerbocker Crisis), Morgan's decisive intervention helped stabilize the banking system as he invested his own money and persuaded other bankers to do the same, averting a financial crisis. This event underscored the need for a central banking authority, leading to the creation of the Federal Reserve System.
By 1912, Morgan controlled nearly $23 billion in assets, reflecting his immense influence. His legacy extended beyond finance; he was also a prominent philanthropist, notably founding the Metropolitan Museum of Art. Morgan’s death in 1913 prompted national mourning, underscoring his profound impact on American finance and culture.
Born in Pennsylvania in 1884 or 1885, Florence Evelyn Nesbit rose to fame as the quintessential Gibson Girl and an in-demand model in New York City. Her lasting fame came as she became embroiled in a sensational love triangle that would captivate the nation.
After a long and troubled relationship with architect Stanford White, who assaulted her and preyed on her emotional and financial vulnerability, she met the son of an incredibly wealthy family, Harry Kendall Thaw. Thaw was infatuated with Nesbit and eventually married her in 1905. His obsession with her and deep-seated paranoia about White led to a tragic confrontation. On June 25, 1906, at the Madison Square Garden premiere of the musical revue Mam'zelle Champagne that all three were attending, Thaw shot White in a fit of rage, declaring, “I did it because he ruined my wife!” Thaw’s trial became one of the early “Trials of the Century,” capturing public attention and raising questions about morality and justice.
Thaw was declared insane and committed to a mental institution, and Nesbit faced a struggle for independence, ultimately divorcing him in 1915. Her later life saw her making peace with her past, including serving as a technical adviser on the film The Girl in the Red Velvet Swing.
Born Erik Weisz in Hungary in 1874, became one of the most famous escape artists in history. Immigrating to America in 1878, his early career as a magician was unremarkable until he pivoted to escape acts. By 1900, Houdini was a sensation in Europe, astonishing audiences by escaping from handcuffs, chains, and even jails. His daring performances, often staged in public, earned him widespread fame.
Between 1902 and 1912, Houdini’s career rose to new heights. In 1908, he abandoned his handcuff act in favor of more dangerous stunts, such as escaping from a water-filled milk can. His acts became more elaborate, involving crates, boilers, and even the belly of a whale.
Despite the thrill of his performances, Houdini was deeply affected by the death of his beloved mother in 1913, a loss he never fully recovered from. After attempts to reach her through mediums and seances, Houdini spent his later years debunking spiritualists, including a public rift with friend Sir Arthur Conan Doyle, before his untimely death in 1926.
Born in 1869 in Lithuania, Emma Goldman became one of the most radical and controversial figures of her time. Immigrating to the United States in 1885, Goldman’s early years were shaped by the hardships of factory work and personal struggles, including a failed marriage. Moving to New York, she quickly aligned with anarchist ideals, using public speeches to call for revolution. In 1901, her rhetoric led to a brief arrest following President McKinley’s assassination, though she was released due to lack of evidence.
Immediately after this arrest, Goldman lived a relatively quiet life, often in seclusion as a nurse, though she remained dedicated to activism. In 1906, she founded Mother Earth magazine, advocating for anarchism, labor rights, feminism, and free speech. Her publication of Anarchism and Other Essays in 1910 solidified her influence, as she continued to challenge social norms. She was arrested in 1917 for her opposition to the draft, and in 1919 was exiled with 200 others to the Soviet Union. After living throughout Europe, she died in Canada in 1940.
Born in 1863 in Michigan, Henry Ford revolutionized the automotive industry and modern manufacturing. After working for the Edison Illuminating Company and experimenting with gas engines, Ford founded the Ford Motor Company in 1903. His breakthrough came in 1908 with the debut of the Model T, an affordable and durable car that would transform American society. By 1918, half the cars in the U.S. were Model Ts, making driving accessible to the masses.
Ford cemented his place in history by introducing the assembly line in 1913, which dramatically cut production time and revolutionized industrial manufacturing. His 1914 decision to pay workers $5 a day—double the industry rate—also set a new standard for labor. Ford's innovative ideas about efficiency and wages helped shape the modern workweek and redefine American industry.
However, Ford’s legacy is tarnished by his anti-Semitic views, which he propagated through The Dearborn Independent and his controversial book The International Jew. Despite his industrial triumphs, his personal beliefs left a troubling mark on history.
Born into slavery in Virginia in 1856, Booker T. Washington became the preeminent African American leader in the post-Civil War United States. Freed by the Emancipation Proclamation in 1865, he was appointed the first leader of the Tuskegee Institute in Alabama in 1881, where he dedicated his efforts to vocational training for Black students, believing that economic self-reliance would lead to social progress.
His 1895 Atlanta speech advocating for Black individuals to improve their circumstances without demanding immediate equality marked a turning point in his public profile. This approach garnered both support and criticism, notably from contemporaries like W.E.B. Du Bois. Washington also championed Black entrepreneurship, founding the National Negro Business League in 1900 to foster commercial development. His autobiography, Up from Slavery, published in 1901, solidified his influence, leading to an unprecedented invitation to dine with President Theodore Roosevelt.
Dubbed the "Age of Booker T. Washington," his leadership spanned from the 1880s until his death in 1915, when over 8,000 mourners attended his funeral at Tuskegee Institute, honoring his legacy in the fight for Black education and economic empowerment.
This unlikely but inseparable duo shared a single goal: conquering the vast and unforgiving Arctic. Born a decade apart, Peary, a white Navy man from Pennsylvania, and Henson, a Black sharecropper’s son from Maryland, met by chance in 1887. Henson became Peary’s “first man” on Arctic expeditions, mastering Inuit survival techniques that were vital for their success.
Their most famous expedition began in 1908, as they set out to reach the North Pole. While Peary commanded the journey, it was Henson who scouted ahead, using the skills he had perfected over the years. In 1909, Henson became the first to stand at—or near—the Pole, though Peary received most of the credit.
Despite their achievement, recognition came slowly for Henson. While Peary was celebrated by Congress and promoted, Henson's contributions were largely overlooked until much later. The paths they forged together serve as a testament to their endurance, though history only belatedly acknowledged the full partnership behind the legendary feat. Both men now rest in Arlington National Cemetery, side by side in recognition of their shared journey.
Archduke Franz Ferdinand, heir to the Austro-Hungarian throne, was assassinated in Sarajevo in 1914, triggering the outbreak of World War I. His death ignited a chain reaction of alliances and hostilities, fundamentally reshaping Europe's geopolitical landscape.
Emiliano Zapata was a key figure in the Mexican Revolution, beginning in 1910, renowned for advocating agrarian reform and peasant rights. His rallying cry, "Tierra y Libertad" (Land and Liberty), became a powerful symbol of the struggle for social justice in Mexico.
Interested in Learning More?
Books
- Ragtime by E. L. Doctorow Immerse yourself in story that inspired the musical.
- The Age of Reform by Richard Hofstadter This definitive historical look at the era won the 1955 Pulitzer Prize.
Movie
- Ragtime - The 1981 movie
The characters in Ragtime can also be found in:
- Emma Goldman in Reds.
- Booker T. Washington in The Gilded Age.
- Harry Houdini played by Adrien Brody in Houdini.
- J.P. Morgan in The Alienist.
- Henry Ford in Ford: The Man & the Machine.
Meet the Cast
Yahosh Bonner
Kiirt Banks
Amy Shreeve Keeler
Brittany Sanders
Taylor Morris
Dustin Bolt
Brittany Andam
Aria Love Jackson
Christopher Higbee
David Morley-Walker
Isaac Moss
Kelton Davis
Marcie Jacobsen
Dianna Graham
Morgan Fenner
Amanda Baugh
Clayton Barney
Blake Barlow
Chad Brown
Krispin Banks Sr.
Jeff Thompson
Michael Smith
Porter Sparks McCormick
Aaron Salazar
Hailey Burnham
Tessa Jensen
Trevor B. Dean
Scott Rollins
Bradley Moss
Doug Irey
Jenny Rock
Sibley Snowden
Carson Davies
Patrick Kintz
Brandalee Bluth Streeter
Bronwyn Andreoli
Shawnda Moss
Mary Jane Smith
Laurel Asay Lowe
Tatem Trotter
Brooke Holladay
Amelia Rose Moore
Ileah Washington
Blythe Snowden
Melanie Fernelius
Josephine Bailey
Rosemay Jolicoeur-Webster
Mak Milord
Andrew Reeser
Keith Goodrich
Zack Elzey
Josh Valdez
Adam Girum Frasier
Oba Bonner
Nate Brogan
Collin Larsen
Noah Burket
Nicholas Warren
Philip Childs
Asher Head
Tremaine Lomax
Kile Allen
Alexander Andam
Iris Fernelius
Adanna Ugoh
Meet the Production Team
Jennifer Hill Barlow
Anne Puzey
Joshua Whitehead
Jordan Liau
Jo Winiarski
Dennis Wright
Bekah Wilbur
Ryan Fallis
Dan Morgan
Cole McClure
Megan Heaps
Conlon Bonner
Dianna Graham
Ben Henderson
Theater Staff
-
Leadership
Cody & Linda Hale and Cody & Anne Swenson
Education
Managing Director of Education
Linda Hale
Director of The Ruth Academy
Jon Liddiard
Youth Artistic Director
Amelia Rose Moore
Acting Instructors
Kelly Coombs, Morgan Gunter, Jon Liddiard, and Clara Wright
Vocal Instructors
Amanda Baugh, Amanda Crabb, Marcie Jacobsen, Rex Kocherhans, Chelsea Lindsay, Amelia Rose Moore, Rachel Ryan Nicholes, Ted Reedy, Brandalee Bluth Streeter, and Marcie Yacktman
Group Class Instructors
Amanda Baugh, Rachel Carter, DeLayne Dayton, Ben Henderson, Collin Larsen, Jon Liddiard, Amelia Rose Moore, Kolton Nielsen, Hailey Bennett Sundwall, Emma Wadsworth, and Dylan Wright
Administrative
Executive Director
Cody Swenson
Senior Vice President
Bill Woahn
Director of Development
Jeff Fisher
Director of Operations
Troy Anderson
Director of Finance
Mark Ostler
Director of Human Resources
Camie Shepherd
Director of Public Relations & Strategic Partnerships
Sydney Dameron
Senior Manager of Corporate Partnerships
Sean Firmage
VP of Advancement
Jeremiah Christenot
Director of Marketing
Brighton Sloan
Creative Marketing Director
Curt R. Jensen
Video Content Creators
Josh Beck and Chad Goldsberry
Patron Services
Box Office Manager
Brooke Wilkins
Assistant Box Office Manager
Risa Bean
Box Office Staff
Gwen Carlson, Emily Ellis, Eli Estrada, Logan Kneeland, Katlin LeBeau,
Chloe Loveridge, Laurel Lowe, Emma Macfarlane, Lori McClure, Melanie Muranaka, Elizabeth Rotz, Erin Smith, Opal Tolman, and Tia Trimble
Front of House Manager
Fiona Hartvigsen
Assitant House Managers
Kevin Bigler, Gwen Carlson,Brielle Giles, Logan Kneeland, Abigail Munoz, Opal Tolman, and Tia Trimble
Ushers
Alice Byrom, Chloe Barrus, Alli Cloward, Parker Eggleston, Zoe Fawcett, Abby Henry,
Braden Johnston, Katrina Jorgensen, Addysn Kidd, Miley Ledyard, Kelsey McClain, Anna Sanford, Liberty Sondrop, Annabelle Wagner, Danielle West, Lilly Wright, and Makelle Young
Hale Center Foundation for the Arts & Education
Board Chair
Jeff Wilks
Board of Trustees
Anne Brown, David Doxey, Linda Hale, Carl Hernandez, Derrin Hill, William Jeffs, Karen McCandless, Jani Radebaugh, Cody Swenson, and Lincoln Westcott
Advocacy Council
Heidi & Bill Woahn (Volunteer Chairs)
Advisory Council
Craig Simons, Ella Simons, Jerry Simons, Adele Swenson, Maren Mouritsen, Robert Lee Swenson, and Melany Wilkins
Donors
Thank You!
We appreciate all those who have contributed to the Hale Center Foundation for the Arts & Education (The Ruth and Nathan Hale Theater | The Ruth Academy). If your name has been misspelled or inadvertently omitted, please contact Jeff Fisher at 435.668.3861.
Lifetime Benefactors
Cumulative contributions over $100,000- Ruth & Nathan Hale
- Cody & Linda Hale
- Cody & Anne Swenson
- Alan & Karen Ashton
- Gregory & Julie Cook
- dōTERRA
- Mayor Guy & Paul Fugal
- Dr. David & Chrissi Hill Family
- Barbara Barrington Jones
- Corey & Janis Lindley Family
- Dean & Joan Lindsay
- Martha Ann & Walter J. Lindsay
- Larry H. & Gail Miller Family Foundation
- National Endowment for the Arts (NEA)
- John Pestana Family
- Pleasant Grove City
- Scott & Karen Smith
- Utah Arts & Museums
- Utah County
- WCF Insurance
- David & Rachel Weidman
- Mark & Carol Wolfert Family
- Rob & Debbie Young Family
Major Gifts
Donations from January 1, 2023 - December 18, 2024Prince & Princess (over $10,000)
- Peter & Susan Bagwell
- Child Family Foundation
- Dragonsteel
- Sam & Mary Dunn
- Kent & Eileen Gale
- Wendy James
- Danny & Nicole Larson
- Genesis of Lindon by Murdock
- Wayne & Jeanne Quinton
- Terry & Lil Shepherd
- Marian Shipley
- David & Peggy Smith
- Gina Truman
- Utah Children’s Dental Network
- Utah Toyota Dealers
- Genesis Inspiration Foundation
- Kendall Hulet & Carolina Nunez
Royal Court ($5,000 to $9,999)
- Tawnya Bears
- Brian Bernecker
- Marti Christensen
- Rachelle & Bob Conner
- Dana & Steve Daly
- Liz England
- Jeffrey & Nancy Flamm
- Cameron & Danielle Fugal
- TJ Fund
- Hamson Family
- Tim & Nancy Layton
- Todd & Christina Manning
- Melville Stables
- Dr. Russ & Mary Osguthorpe
- Anonymous
- Rhett & Stephanie Roberts
- John & Karen Valentine
Count & Countess ($2,500 to $4,999)
- Rachael Anderson
- Anonymous
- Curtis & Lisa Blair
- Lori Call
- Derek & Michelle Ellis
- Daniel & Jill B. Fugal
- Tyler Gibb
- Patti Greaves
- Danny & Mary Gunnell
- Joseph & Heather Hansen
- Kimball & Rebecca Hodges
- Brian & Louise Murphy
- Dennis & Joan Norton Family Fdn
- MaryAnn & Robert Parsons
- Reed & Charity Quinn
- Joyce Ricks Family
- Jeff & Sandee Smith
- Josh Woodbury
Duke & Duchess ($1,000 to $2,499)
- Andrew & Samantha Allison
- Marianne Anderson
- BA Real Estate Group
- Lawynn Baird
- Kirk & Laura Baxter
- Scott & Tereh Beeson
- Brent & Connie Bullock
- Sally Burningham
- John & Karen Cook
- Ryan & Jennifer Crafts
- Lee & Terry Daniels
- Olani Durrant
- KC Cook
- Jim & Tana Evans
- Mckay Florence
- John & Linda Gardner
- Steve & Tina Glover
- George & Bonnie Groberg
- Richard & Diana Guernsey
- Hale Distant Relatives
- Soren & Kim Halladay
- Harlan & RaDene Hatfield
- Rich & Ann Herlin
- Barta Heiner
- Nan Hunter
- Jeff & Jeffs Attorneys At Law
- William & Joanne Jeffs
- Rebekah & Joseph Johnson
- Ron Judd
- Karen Larsen
- Karen & Craig Larsen
- Tom & Diane Mabey
- Al & Lauri Manbeian
- Rick & Kim Mccloskey
- Maren Mouritsen
- Wendy Ott
- Michael & Tammy Peterson
- Jani Radebaugh
- Max Simmons
- Rob & Melissa Shelton
- Dr. Jerry & Ella Simons
- Jeff & Sandra Singer
- Denis & Denise Smith
- Scott & Margery Sorensen
- Nick & Kim Spencer
- Heidi Stevenson
- Rogan & Lynda Taylor
- Daniel Thomas
- Kaden & Amanda Waters
- Lincoln & Melanie Westcott Family
- Sharon & Gary Wiest
- David & Kristie Wilkins
- Bonnie & Chad Whitlock
- Jeff & Melinda Wilks
- Bill & Heidi Woahn
Lord & Lady ($500 to $999)
- Aunt Donna
- Jack Eldridge
- Gene & Karla Gammon
- Lauri Heiner
- Joyce Hemmert
- Brian & Suzanne Ivie
- Christies Johnson
- Korinne Nelson
- Michael Pulsipher
- Sydney Reynolds
- Amy & Nick Rogers
- Darin Stoner
Ambassador ($250 to $499)
- Rick Ainge
- Amazon Smiles
- Anonymous
- Jason Antares
- Ed Austin
- Kay Barker
- Scott Beckstrom
- John Chambers
- Suzanne Halgren
- Reid Holyoak
- Marianne Jackson
- Missy Larsen
- Paul Larson
- Robert Lavender
- Greg & Lynette Lyman
- R. John Madsen
- Daril Magleby
- Jackee Mower
- Linda Nielsen
- Roger Nuttall
- Teresa Pace
- Shirley Ricks
- Laurie Schaefer
- Jeremy Searle
- Alan Tilley
- Ben & Daneen Wake
- Arleen Watkins
- David Whitlock
- David Widfeldt
- Cheryl Williams
- Paul Wright
Annual Gifts
Donations from January 1, 2023 - December 18, 2024Dignitary ($100 to $249)
- Jeff & Karen Acerson
- Frank Allen
- Anamae Anderson
- Kirk & Laura Lee Anderson
- Ron Andrews
- Benjamin Ard
- JB Armstrong
- Leann Averett
- Charles Babbel
- Carl Bacon
- Devin Baer
- Karla Baer
- Maureen & George Baker
- P Ballard
- Tami Barben
- Jeff Barlow
- Nannette Barnes
- Heather Bartholomew
- Richard Barton
- Anna-Marie Bass
- Christopher Beaman
- Ellen Beckstrand
- Max Behling
- Blake Bench
- Stephanie Benson
- Gigi Berrett
- Merelynn Berrett
- Susan Bigler
- George Bills
- Gary Bingham
- Joe Bingham
- Paul & Nina Bishop
- Robert Borden
- Shauna Briggs
- Roy Brinkerhoff
- Connie Bronson
- Lani Brower
- Ellen Brown
- Karen Brunsdale
- Holly Burgemeister
- Drew Burke
- Robin Burnah
- David Burrow
- Corene Casper
- Emily Castleton
- LeAnn Castleton
- Margaret Cazier
- Jason Chaffetz
- Cami Christensen
- Elizabeth Christensen
- Chris Christiansen
- Julianne Clark
- Steve Clegg
- Chris & Elise Clifford
- Marci Cole
- Deborah Conrad
- Kelly Cook
- Christopher Coon
- Trilby Cope
- Lisa Cowlishaw
- Bart Crockett
- Marshall Dahneke
- Becky Darrington
- Blair & Susan Davis
- Cherie Davis
- Michelle Davis
- Steven Day
- Kerstin Daynes
- Heather Downs
- Charlotte Ducos
- JP & Karen Durborow
- Melinda Durrant
- Stephanie Eau Claire
- Doug Edmunds
- Steven Embley
- Debora Escalante
- Nephi Evans
- Steven Eyre
- Terry & Leann Ficklin
- Linda Fillmore
- Ellen Ford
- Richard & Catherine Freeman
- Kathleen Gabbitas
- Duff & Yuneja Gardner
- Marc Garrett
- Christine George
- Kevin Giddins-Jones & Lita Giddins
- Carol Glissmeyer
- Holly Glover
- Ann Gonzales
- Aaron Goodrich
- Donna Griffith
- Susan Griffith
- Natalie Griffiths
- Jeffery Hall
- Brian Hansen
- Chad Hansen
- Todd Harrington
- Leann Hatfield
- Greg Hendrix
- Roberta Hicks
- Jennifer Hirschi
- Mary Hoagland
- Melissa Holiday
- Mikaela Holmes
- Donald Holsinger
- Don Horan
- Jacqui Howden
- Suzy Hunter
- Farrah & Andy Jarvis
- Jill Jasperson
- Paul Jenkins
- Colista Jensen
- Eric Jensen
- Kevin Jensen
- Robyn Johns
- Sue Anne Johnson
- Mark Johnston
- Toby Johnston
- Derek Jones
- Mark Jones
- Anthony Keele
- Michael & Shirley Klein
- Ken Knapton
- Laurel Kohl
- Katherine D. Koller
- Joyce Kunz
- Jilan Kyler
- Emily Larsen
- Jean Larsen
- John Larsen
- Kip Lawrence
- Daniel & Kim Lawyer
- Laura Lee
- Ron Lee
- Diane Leslie
- Dixie Lewis
- Linda Liljegren
- Laralee Lind
- Karen Littlefield
- Elizabeth Livingston
- Mary Lockhart
- Joee Lowe
- Jayne Luke
- David Lye
- Karyn Maag
- Kirt Mangum
- Darrell Martin
- Karen McCandless
- Heidi Mcdermott
- Dr. E. Bruce Mciff
- Kareena McKeown
- Russ & Paula Mckinlay
- Kathy Mcquarrie
- Rayanne & Chuck Melick
- Valynn Melzer
- Kristie Memmott
- Annette & Barry Merrell
- Adam Merritt
- Elizabeth Meyers
- Brett Miller
- Annette & Frank Mills
- Bradley & Kenna Mills
- Timonthy Mills
- Alison Mitchell
- Andrea & David Mitton
- Chris Mitton
- Stephen Morningstar
- Katie Myers
- Kari Nay
- Tracianne Neilsen
- Sheldon Nelson
- Robert Newman
- Dianne Nielsen
- Greg Nielsen
- Jo Rita Nielsen
- Lisa Nitchman
- Dennis Nordfelt
- Ron & Laraine Nyman
- Curtis Ogden
- Kent & Kate Oliver
- Carolyn Olson
- Jeffrey Owen
- William Pace
- Penny Pack
- Richard Parke
- Dennis Parker
- Brian Patch
- Arryn Patten
- Todd Paxman
- Valerie Payne
- David Peterson
- Deborah Peterson
- Dono Peterson
- Kristi Peterson
- Russell Peterson
- Willard & Marieta Peterson
- Laura Pettersson
- Jax Prettey
- Laurie Pieroni
- Nathan Pilling
- Mary Pitts
- Mindy Podwys
- Vicki & and John Poelman
- Amy Poole
- Andrea Priday
- Kim & Mary Purbaugh
- Jed & Jennifer Rampton
- Mike Ramsey
- Sue Reber
- Paul Redd
- Art Robbins
- Carol Robertson
- Dean & Lori Robinson
- Reed & Cathy Robinson
- Athena Robison
- Janet Rogers
- Bonnie & Dean Rowley
- Dean Rowley
- Sean & Kristin Roylance
- Jill Rudy
- Elaine Rydalch
- William & Denise Schaefermeyer
- William E. Seegmiller
- Ron & Lona Simon
- Cherie Smith
- Courtney Smith
- Denise Smith
- Harold H. Smith
- Margp Smith
- Michael & Mary Jane Smith
- Relia Smith
- Tim & Sheri Smith
- Wayne & Juanita Smith
- Russ K Sneddon
- Diane Sorrells
- Lynda Stacey
- Jan Staheli
- Vance Standifird
- Christina Stanton
- Jill Starley
- The David Starling Family
- Shelby Stastny
- Maryann Stevens
- Austin & Kimberly Stewart
- Grant & Stacie Stewart
- Nathan Stocks
- Eldon & Cynthia Stonehocker
- Daniel & Denise Stratton
- Geraldine Sucher
- Kay & Brent Sumsion
- Natalie Swenson
- Deborah Taylor
- Jeremy Taylor
- Craig Terry
- Jill Teuscher
- Brent Tew
- Nick Thomas
- Thomas/Nicole
- W. Mont Timmins
- Kim & David Topham
- Wallace Trotter
- Robert Ullery
- Cynthia Voytac
- Angie Wager
- Thomas Walker
- Sally Walter
- Paul Ward
- Diana Warnick
- Linda Warwood
- Todd Webb
- Arlene Welch
- Susan Westover
- Paul Westwood
- Keenan White
- Jan Whiteley
- Brent Whitlock
- Linda Wickham
- Teresa Neumann
- Patricia Williams
- David Wiscombe
- Elizabeth Witt
- ReNae Woolsey
- Dolly & Norman Wright
- Paige Wright
- Sally Wyne
- Bonnie Yeates
- Patricia Young
- Russell Young
- Wayne & Carol Young
- Clyde & Julie Zorn
- Ronald & Jane Zundel
Our History
The Ruth and Nathan Hale Theater
From Orem to Pleasant Grove:
A New Act Begins
Married in 1933, the Hales worked in perfect harmony, blending Ruth’s creative brilliance with Nathan’s practical support to bring theatrical magic to life.
In 1934, they were asked by their church leader to put on a play. They found one that had a $25 royalty, but $25 was more money than was in the church activity budget for an entire year. “Write one,” they were told. They did just that and launched a lifetime of entertaining millions and a legacy that lives on.
In 1947, Ruth and Nathan debuted their first act: the Glendale Centre Theatre in California. Known for its welcoming atmosphere and wholesome entertainment, the Glendale venue became a hit with audiences. Over time, their family joined them onstage and behind the scenes, making the Hales’ work a true family production.
After decades of success in California, the Hales found themselves drawn to Utah, ready to set the stage for their next adventure: Retirement. It wasn’t long before their retirement turned into an intermission, and they were ready to begin their second act.
In 1985, they established the Hale Centre Theatre in South Salt Lake. Their hallmark theater-in-the-round design created an immersive experience, bringing every member of the audience closer to the action.
In 1990, Ruth decided it was time to step into the spotlight again, founding Hale Center Theater Orem. With Nathan by her side, she enlisted the help of their youngest son, Cody, and his wife, Linda; their grandson, Cody Swenson, and his soon-to-be wife, Anne, to transform a former wedding reception center in Orem into a vibrant cultural hub. For 35 years, this tiny 300-seat theater welcomed 100,000 guests annually, enchanting audiences with its intimate stage and heartfelt storytelling.
Today, we celebrate their encore and honor their legacy with the opening of The Ruth and Nathan Hale Theater, aptly called “The Ruth.” This state-of-the-art venue on the dōTERRA campus in Pleasant Grove, will provide expanded opportunities for performances, larger audiences, and theatre education through The Ruth Academy. It will ensure that Ruth and Nathan Hale’s dream of bringing joy, inspiration, and connection through theater will continue to thrive for generations to come.